Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
May 24, 2011
May 19, 2011
Ed Bing Lee
ED BING LEE makes artwork using knitted material, its pretty cool, check out his art statement below courtesy of his website and also some images from his "Delectable" series below.
The Picnic series marked my first foray into the world of fiber art. The series dating from the mid 1980's, juxtaposed selected passages from two of George Seurat's monumental paintings, namely Sunday on the Grande Jatte and Bathers at Asnieres, with contemporary food images selected from advertising art. Some 10 years later, I turned again to the food images, visualizing them three dimensionally. However, the transition from earlier pieces to sculptural forms was not an immediate one, I moved gradually through several series, including framed pieces of historical miniatures, bas-relief of Orchids, the Earthcrust series and the current series, titled Meditations on the Chawan.
My initial attraction to the process of knotting was its immediacy and the fact that little specialized equipment is required, which allows for great latitude in approach as to design, concept and technique. In the Picnic series the work is akin to making a tapestry. The image is created by vertical clove hitch over a fixed "warp", guided by a cartoon. I thought the process of creating an image of multicolor knots is not unlike Seurat's pointillism. In three dimensional or sculptural work, the knotting process is most forgiving and the work can progress in many directions simultaneously. The distinction of warp and filling is interchangeable. Shaping is possible in a variety of ways: by adding or dropping ends, by using different tensions, by using different knots or by using a different material. It is in the Chawan series that I sought to revitalize my work habits by revisiting these possibilities.
In the end, I continually return to art history for visual and conceptual stimulation. For me it is the perfect jumping off point for work in a technique that knows no boundaries.
http://www.edbinglee.com
The Picnic series marked my first foray into the world of fiber art. The series dating from the mid 1980's, juxtaposed selected passages from two of George Seurat's monumental paintings, namely Sunday on the Grande Jatte and Bathers at Asnieres, with contemporary food images selected from advertising art. Some 10 years later, I turned again to the food images, visualizing them three dimensionally. However, the transition from earlier pieces to sculptural forms was not an immediate one, I moved gradually through several series, including framed pieces of historical miniatures, bas-relief of Orchids, the Earthcrust series and the current series, titled Meditations on the Chawan.
My initial attraction to the process of knotting was its immediacy and the fact that little specialized equipment is required, which allows for great latitude in approach as to design, concept and technique. In the Picnic series the work is akin to making a tapestry. The image is created by vertical clove hitch over a fixed "warp", guided by a cartoon. I thought the process of creating an image of multicolor knots is not unlike Seurat's pointillism. In three dimensional or sculptural work, the knotting process is most forgiving and the work can progress in many directions simultaneously. The distinction of warp and filling is interchangeable. Shaping is possible in a variety of ways: by adding or dropping ends, by using different tensions, by using different knots or by using a different material. It is in the Chawan series that I sought to revitalize my work habits by revisiting these possibilities.
In the end, I continually return to art history for visual and conceptual stimulation. For me it is the perfect jumping off point for work in a technique that knows no boundaries.
http://www.edbinglee.com
May 11, 2011
Sara Fabel
Check out Sara Fabel, Brisbane artist whose not only a bit of a looker, does some wicked illustration work. Hit the links below for more of this creative soul.
Illustrations by Sara
http://www.sarafabel.com
http://www.facebook.com/sarafabel
http://kittysdead.deviantart.com
May 9, 2011
Julian Berman
Portrait of Julian Berman by Luca Chitayat
Information courtesy of LifeLounge.
"Julian Berman is a Los Angeles photographer who – before you cry trend-rider – has been shooting the members of Odd Future since back in 2009 (aka probably before you knew they existed). What we like about Berman's images are their easy, candid nature; nothing seems too formulaic or constructed. Just some kids in bright clothes, doing their thing. Sometimes the simplest things are the most effective. Did we mention he's 19-years-old?"
More photos at Julian's Flickr page.
http://julianxberman.tumblr.com
May 5, 2011
April 29, 2011
Let There Be Rock. GoMA Cinémathèque
All info courtesy of The Queensland Gallery of Modern Art. The following is a media release
‘In addition to the films themselves, the Friday night screenings will be complemented by local musicians responding to the music represented on screen with very special short live performances, included as part of the ticket price,’ he said.
‘Ben Salter (The Gin Club), Matt Somers (I Heart Hiroshima), Seja Vogel, Tim Steward and Kate Jacobsen (Texas Tea) will provide their own unique takes on Joy Division, The Rolling Stones, Arcade Fire, The White Stripes and The Doors.
‘In a special final event on June 3, Quan Yeomans (Regurgitator) will take on the music of Prince prior to a screening of Purple Rain 1984.’
Mr Ellwood said the film program would feature intimate portraits of bands and musicians, showcasing their magnetic stage presence and musical talents, as well as the fans, collaborators and locations that surround them.
‘Wild experiments with rock operas and musicals illustrate the blending of rock music and cinema into a unique film genre. Concert films and live recordings capture bands in full flight and the transformation of stage performances into visceral experiences.
‘Iconic music events caught on film also chronicle rare pieces of music history and their ensuing influence on new generations of music fans.
‘Documentaries on some of the central events in rock mythology – Woodstock 1970, Wattstax 1973 and the Rolling Stones’ Altamont Free Concert depicted in Gimme Shelter 1970 – are featured alongside recent exposés of the pressures of the music industry, such as Metallica: Some Kind of Monster 2004.
‘The role of women in rock is showcased with Patti Smith: Dream of Life 2008, chronicling the artist’s incarnations as poet, painter, writer and musician and Radical Act 1995, a documentary on the feminist punk movement in the United States.
‘Modern rock of all persuasions is included with films on the music of The White Stripes, Animal Collective and Sigur Ros.
Mr Ellwood said Australian artists would be represented by films on Nick Cave and the Bad Seeds, Dirty Three and Brisbane’s own SixFtHick, who will take part in a Q&A session following a screening of SixFtHick:
Notes from the Underground 2010 on Saturday May 21 at 2pm.
A major program exploring all facets of rock music on film will screen at the Gallery of Modern Art’s Australian Cinémathèque from April 29 to June 5, 2011.
Queensland Art Gallery Director Tony Ellwood said tickets are on sale now for ‘Let There Be Rock’, a program of more than 45 documentaries, concert movies and feature films capturing the rebellious spirit of rock music.
‘From Elvis Presley in Jailhouse Rock 1957 and The Beatles in A Hard Day’s Night 1964 to Jimmy Page, The Edge and Jack White in It Might Get Loud 2009 and Animal Collective’s visual album ODDSAC 2009, ‘Let There Be Rock’ surveys over 50 years of music on the big screen,’ Mr Ellwood said.
‘Additionally, there will be an exclusive free 20 minute preview of the forthcoming major documentary on AC/DC fandom, Beyond the Thunder on Sunday June 5 at 1pm.
‘Also screening are classic musicals Jesus Christ Superstar 1973, The Rocky Horror Picture Show 1975 and Hair 1979, as well as seminal rock-mockumentary, This is Spinal Tap 1984.’
The weekly Friday Night Sessions will feature local musicians performing short sets inspired by the music of the screening films, commencing on April 29 with Ben Salter’s interpretation of music by Joy Division prior to a screening of the biopic Control 2007. Check the website for more details.
For more information please visit www.qag.qld.gov.au/cinematheque
Tickets available from www.qtix.com.au or at the box office prior to screenings (subject to
availability).
Tickets available from www.qtix.com.au or at the box office prior to screenings (subject to
availability).
Adults $9 / 5-film pass $36
Concession: $7 / 5-film pass $28
Members $6 / 5-film pass $24
ENDS
MEDIA INQUIRIES
Amelia Gundelach, Senior Media Officer
Queensland Art Gallery | Gallery of Modern Art
tel: 61 (0) 7 3840 7162
61 (0) 404 994 985
e: amelia.gundelach@qag.qld.gov.au
April 28, 2011
Go Font Urself
Some works from the "Go Font Urself" Exhibition floating around the country over the next few months, an exhibition of type-based artworks, its in Sydney today. More info head to http://www.gofonturself.com.au
Mike Giant (NY)
PARRA (NLD)
SOFLES (AUS)
LACHIE GOLDSWORTHY (AUS)
LUKE LUCAS (AUS)
Mike Giant (NY)
PARRA (NLD)
SOFLES (AUS)
LACHIE GOLDSWORTHY (AUS)
LUKE LUCAS (AUS)
April 20, 2011
Brandon Voges: Upside Downy Face
Information/Images courtesy of Brandon Voges Photostream
This is a series of portriats I made by hanging people upside down. Gross, wierd and super fun. And nobody puked. Promise. Check out the behind the scenes / making of video at www.brutonstroube.com/blog.
Click here to set the full set.
This is a series of portriats I made by hanging people upside down. Gross, wierd and super fun. And nobody puked. Promise. Check out the behind the scenes / making of video at www.brutonstroube.com/blog.
Click here to set the full set.
April 19, 2011
Brandon Voges: Shakey Faces
Information courtesy of Brandon Voges' Photostream:
Well, I like bad jokes, and I can run really fast backwards. I'm a gadget freak, I own more cameras than I will ever use, and I have a hard time getting upset at just about anything. I've got rhythm and I flop sweat when I dance. Yea, gross...I know.
I'll try anything once, except sauerkraut. I'm honest, have large eyebrows, and think my sisters kids may be the funniest humans on the planet. I love hearing people laugh. I'm a sucker for baked goods, loved watching McGyver, and have no problem giggling when people trip in public.
I love to travel, have a hard time turning down a game of cards and can't get enough sushi. I don't pay parking meters, I speed, appreciate a good quote, and miss the days when you could sit at an airport and people watch without a plane ticket. I'm a big fan of nicknames and changing weather. And at some point in my life, I would love to be a stuntman.
But for now...I'm a photographer and partner at Bruton Stroube Studios. We take pictures and direct films for all things advertising.
A series of portraits to the theme of "Shakey Face".
Also, I get lots of questions on how these were done, the gist is this. Very, very fast studio strobes. Shaking your face until you get a concussion. And some desaturating and sharpening in photoshop. Done and done.
http://www.flickr.com/photos/brandonvoges
Well, I like bad jokes, and I can run really fast backwards. I'm a gadget freak, I own more cameras than I will ever use, and I have a hard time getting upset at just about anything. I've got rhythm and I flop sweat when I dance. Yea, gross...I know.
I'll try anything once, except sauerkraut. I'm honest, have large eyebrows, and think my sisters kids may be the funniest humans on the planet. I love hearing people laugh. I'm a sucker for baked goods, loved watching McGyver, and have no problem giggling when people trip in public.
I love to travel, have a hard time turning down a game of cards and can't get enough sushi. I don't pay parking meters, I speed, appreciate a good quote, and miss the days when you could sit at an airport and people watch without a plane ticket. I'm a big fan of nicknames and changing weather. And at some point in my life, I would love to be a stuntman.
But for now...I'm a photographer and partner at Bruton Stroube Studios. We take pictures and direct films for all things advertising.
Click here for the full set of photos.
A series of portraits to the theme of "Shakey Face".
Also, I get lots of questions on how these were done, the gist is this. Very, very fast studio strobes. Shaking your face until you get a concussion. And some desaturating and sharpening in photoshop. Done and done.
http://www.flickr.com/photos/brandonvoges
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